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Brock returns to co-host Now Playing Podcast ‘SPECTRE’ show

At the end of every 007 adventure the same line appears in the credits: “James Bond Will Return.”

He’s not the only one back for 2015’s SPECTRE. When Now Playing Podcast listeners start streaming the latest review in the show’s James Bond Retrospective Series, they’ll hear a familiar voice.

Brock. James Brock.

Although he’s the voice of Now Playing Podcast’s opening narration and closing credits, listeners haven’t heard longtime co-host Brock review a series since the 2013 Riddick retrospective. Brock, who sat on the panel for Now Playing’s first retrospective in 2009, talked about his return to the show as a co-host and what’s next after Bond.

Q: How much have you missed being a regular co-host? Are there any recent series’ you wish you could have been a part of?

Brock: “I do miss it, and some days more than others — especially the recording sessions, the interaction with my fellow panelists. You all got a taste of what it is like to record the episodes on the live [Kingsman] show and with each episode’s outtakes. We can have a great deal of fun recording these shows. There are times when it hits me unexpectedly, like when — and I am sure we all do it, co-hosts and listeners alike — you listen to the show and you find you are talking back to the podcast in response to something a host said. So in that warped way I am on every panel! Truth be told, I feel blessed to be part of this amazing show and am looking forward to my return to the panel.”

Q: You’re back for Bond, what about that series are you most looking forward to?

Brock: “Are you kidding? SPECTRE is back in the fold, which likely means Blofeld! Us Bond fans have been looking forward to SPECTRE and Blofeld’s return since Diamonds Are Forever. In the For Your Eyes Only pre-credits scene they strongly hint that is Blofeld of course, but they never actually call him that by name. I am also hoping they connect SPECTRE to the mysterious Quantum organization in Quantum of Solace, which is also the one Le Chiffre was working for in Casino Royale. They completely skipped over that in Skyfall, so here’s hoping we get some answers and connections. We will see soon enough.

“On paper, they made some good decisions with casting Christoph Waltz, David Bautista and Monica Bellucci, and bringing back director Sam Mendes. But it always comes down to a good script. Skyfall is the most successful Bond movie to date, so the audience expectations are at an all-time high for the series. I have hope SPECTRE will keep the Bond resurgence going strong.”

Q: Have you been practicing saying “Brock, James Brock” in the mirror?

Brock: “In the mirror, no. In the car or in the shower, absolutely. This is a podcast, after all; it’s all about how it sounds, not how it looks.”

Q: You’re also coming back for Creed, are you excited for the film? What were your thoughts when you heard there would be a spinoff to Rocky?

Brock: “I think the idea is solid, a logical progression to continue the series while allowing itself enough space within that concept to become its own thing. I much prefer this idea than yet another unwanted, unneeded remake of a classic or a gimmicky reboot. I like that Creed is focused on a new character that younger audiences will want to watch, that they can get behind and root for; and simultaneously the fans of the original series can have an instant connection with because we are familiar with the character’s father. Ideally, Creed is a strong enough movie to potentially start a whole new series of successful spin-off films.”

Q: Is this something we can come to expect in the future? Will Brock be back for the next Halloween film, the next Friday the 13th, or even a Jaws sequel??

Brock: “That is the plan, yes. I look forward to coming back to the panel as much as opportunity and my schedule will allow.”

Q: 2016 will be the ninth year of Now Playing, which means the 10th anniversary is coming fast. Did you ever see the show lasting this long, and why do you think it’s been so successful?

Brock: “Truly unbelievable, isn’t it? After that first retrospective series I knew we were on to something. The potential of this show is limitless. The only thing I ever thought would make the show stop would be the inevitable running out of movie series to review! But thankfully, with Hollywood as sequel happy as ever, and obsessed with rebooting every dormant brand name series they can find, Now Playing should be able to go on for quite a long time to come.

“I think there are three big reasons why the show is so successful. First, it is the format: we do retrospective series’ where we devote a full podcast episode to each entry in a movie series — including the sequels or TV movies — that don’t always get, or frankly deserve, that sort of scrutiny or attention. The second reason is the panel. We all get along and feed off each other nicely, you can’t fake good chemistry. But on top of that, we all come prepared. That is a big part of Now Playing, that we put the time in for each and every series, and as a result we have informed, and often hilarious, conversations about all sorts of genres of movies, no matter what grouping of hosts are on the panel for a particular series. And lastly, the show is successful because the hosts and the audience take the ride through each movie series together. We hear feedback from our fans on social media and the forums about their opinions, their ideas, which hosts they think will give the green or red arrow on the next episode and so much more. We love that we have such involved and knowledgeable fans that join us each and every week at Now Playing.”

Now Playing’s James Bond Retrospective Series continues Nov. 10 with the review of SPECTRE.

 

November 4, 2015 Posted by | Movies, News | , , , , , , , , , , , , , | 1 Comment

Review: The Chronicles of Riddick: Dark Fury

At the end of Pitch Black only three passengers of the spaceship Hunter-Gratzner were still alive.  These three, Riddick, Jack, and Imam, took to space, destination unknown.  Possibly New Mecca, if their little shuttle could make the trip.  At the beginning of Pitch Black’s follow-up film, The Cronicles of Riddick, Riddick is a shaggy haired, scruffy bearded refugee on U.V. 6 chased by a bounty hunter named Tooms, Imam is on a planet called Hellion Prime, and Jack is a captive on the prison world of Crematoria.

Did you wonder how these three survivors split up?  Why they were not all living happily together on New Mecca?  Nope, those questions never crossed my mind either, but continuing to answer questions fans never asked come DVD bonus features and animated interquel films, such as The Chronicles of Riddick:  Dark Fury.

This direct-to-video animated short picks up immediately where Pitch Black left off.  We see Riddick’s shuttle had barely left the planet when a mercenary ship arrived and captured the three survivors of the Hunter-Gratzner.  But this is no ordinary merc troupe—this cadre is led by Antonia Chillingsworth, a psychopath who equates murder with art.   She has traveled the galaxy collecting the most notorious killers and turning them into frozen, living statues in her gallery, cherishing the artistry of homicide.

What are the odds of such a collector randomly stumbling across Riddick, one of the galaxies most infamous killers?  Slim.  But logic goes out the window early in this action-fest who’s real purpose is not to tell a story but to entice Pitch Black fans with more of Vin Diesel’s monotone lines, and more of Riddick’s talent for killing.

The short was directed by Peter Chung, and without knowing his name I knew his work—the animation style, violence, and sensibility of Dark Fury closely mirrors that of Chung’s best-known creation Aeon Flux.  Despite being based on a story by Riddick’s creator David Twohy, the film has Chung’s fingerprint on every frame.  As such, your opinion of Chung’s old Liquid Television action heroine will likely influence your viewing experience of this Riddick animated movie.

With Chung’s style-over-substance approach Dark Fury’s 35 minute running time drags despite being almost nonstop action from start to finish.  The fights are inventively staged; Riddick’s final showdown with Junner, Chillingsworth’s lover and chief lieutenant, is a highlight.  But for me the animated violence fails to adrenalize.   Like the merc leader I appreciate Chung’s artistry but feel no passion for it myself.

And if the action doesn’t work there is little else in the movie.  The character moments entirely reprise those from Pitch Black—Jack idolizes Riddick; Riddick will risk his life to save Jack and Imam despite seeming to care for nobody but himself.  We’ve seen it all before, done better.  The film also introduces a new nemesis for Riddick:  Tooms.  This establishes Tooms as a soldier for Chillingsworth before we see him as a merc in The Chronicles of Riddick film, creating an unnecessary bridge between the two films.

But despite being unnecessary, I enjoyed this short far more than the film that succeeded it.  It is stylized and violent with a good hint of dark humor as well.  I have long been a fan of Aeon Flux and appreciate Chung’s return to form.  It’s something only a fan of Chung or Riddick can appreciate, but as a fan of both I give it a recommend.

September 6, 2013 Posted by | Movies, Now Playing Podcast, Podcasts, Reviews | , , , , , , , , , , , , | Comments Off on Review: The Chronicles of Riddick: Dark Fury