What’s on tap for Now Playing Podcast in 2016
Looking ahead to what will be the ninth year of Now Playing Podcast, I don’t know how you top 2015. In terms of franchises — Fast & Furious, Indiana Jones, Jurassic Park, Mad Max, Star Wars — I’m not sure you can get any bigger. But, thanks to Hollywood, there’s never been a better time to be a franchise-focused podcast, and so the show will go on!
So, listeners will hear more Marvel, DC, and Star Wars in 2016, for sure. There are even Star Trek and Teenage Mutant Ninja Turtles sequels to look forward to. But the Now Playing Podcast calendar is constantly in motion, so here’s a peak at what you’ll definitely hear in the coming months.
January: The Grindhouse Universe
Machete don’t podcast. But Now Playing does!
After taking listeners inside 2007’s Grindhouse experience, Arnie, Stuart, and Jakob will get even bloodier with two characters spawned from the film’s faux trailers: Machete and Hobo With a Shotgun. The former stars the great Danny Trejo, who finally got to headline his own film in 2010, and returned for a sequel, Machete Kills.
While not a runaway success, the first Machete was well received and, as this article correctly points out, was “tailor-made for the current political climate.” The sequel, released three years later, was not as well received, and that’s about all I’ll say about it. Oh, it had Mel Gibson as a villain.
The idea for Hobo With a Shotgun came from another Grindhouse trailer, but one you would have only seen if you saw the film in Canada. The feature length Hobo stars Rutget Hauer, who you might remember from 1992’s Buffy the Vampire Slayer, or possibly some other films.
January-February: Listener Requests
Our heroes, ladies and gentlemen.
Things will get really interesting in late January. That’s when we’ll hear reviews of listener requests made during 2015’s Kickstarter campaign to fund the show’s first book, “Underrated Movies We Recommend.” Listeners who supported the book at a certain level had the option to choose a film for the hosts to review, and the first one to be covered is 1987’s Masters of the Universe. It’s been almost 30 years and they still haven’t gotten a new He-Man movie made, so this is all we’ve got to hang onto folks. Just Dolph Lundgren and Courtney Cox and the lady who played Bruce Willis’ cheating wife in The Last Boy Scout as Teela. It’s a treasured memory, to some people.
If you’re looking to do some extra research before the Now Playing review, I recommend checking out Electric Boogaloo: the Wild Untold Story of Cannon Films. Cannon is the company that made the film, and Electric Boogaloo is a great behind-the-scenes documentary for film industry buffs. It’s on Netflix now, as is Masters of the Universe, coincidentally.
On the heels of He-Man, Now Playing will take up another listener request, a review of 1997’s Japanese anime epic Princess Mononoke.
February: Pool, Dead.
It’s the part I was born to play baby!
The first Marvel character to make it to the screen in 2016 is not part of the Marvel Cinematic Universe, and if he were it’s unlikely Disney would allow him to exist in a hard R film. Ryan Reynolds takes his fourth turn in a superhero flick with the part he was born to play — and played a version of in X-Men Origins: Wolverine, but the less said about that one the better.
February-March: DC Heroes Return
This happened.
The first really big retrospective of 2016 will feature a cadre of characters that aren’t connected in the same cinematic universe, but they’re all part of Now Playing’s ongoing DC Comics series. Listeners can look forward to hearing the hosts talk Stardust, American Splendor, and the animated Gen 13; as well as the 2003 adaptation of The League of Extraordinary Gentlemen and the highly requested review of Zack Snyder’s Watchmen, which leads into the release of his Man of Steel follow up, Batman v Superman: Dawn of Justice.
Also featured in this retrospective is a real treat for DC Comics fans, a review of 1979’s live-action Legends of the Superheroes TV specials. Decades before the CW made quality DC shows (and I’m hoping for more of the same from Legends of Tomorrow), NBC took Adam West and Burt Ward – more than a decade removed from Batman – and gave them headlining gigs in shows that also featured appearances by Green Lantern, Sinestro, Solomon Grundy, The Huntress, The Flash, Hawkman, and somebody named Ghetto Man, according to Wikipedia. Alas, two of DC’s biggest superheroes were missing from the lineup, because they were busy starring in blockbuster films and on CBS.
If you don’t know what Legends of the Superheroes is, just watch the intro on YouTube. The whole concept has a Star Wars Holiday Special feel about it, and I can’t wait to hear how this thing came about.
So that covers the first few months of Now Playing Podcast in 2016, and that’s just on the air. I can’t forget to mention that behind the scenes the hosts are furiously finishing their work on “Underrated Movies We Recommend.” It’s set to ship in the second quarter, and you can pre-order it now at the Now Playing Podcast website.
Maybe 2016 will be Now Playing’s biggest year after all.
Now Playing hosts talk Indy, Crichton and more
Dr. Jones prepares to introduce villain Mola Ram to Kali.
Twice a year, Now Playing Podcast holds a pledge drive, offering bonus shows as a “thank you” to listeners who support independent podcasting. This spring, hosts Arnie, Stuart, and Jakob will be reviewing the Indiana Jones films and “Goonies” for Silver Level donors, and the “Westworld” and “Jurassic Park” series’ from novelist Michael Crichton at the Gold Level.
Jakob: Indiana Jones has been requested by many, many listeners for a while. It’s always exciting getting to talk about iconic films; to get into the technical side that makes them more than just a “cool” movie, but true historic cinema.
Arnie: It’s been discussed as long as we’ve been doing Retrospective Series’. I always vetoed it, not wanting to end on a lousy film — and one I’d reviewed in the early days of Now Playing to boot.
Stuart: Lucas and Ford would tease the possibility of an Indy 5, but I never believed it was imminent.
Jakob: We found a way to end [the retrospective] — not on Crystal Skull — but on another Spielberg production about hidden treasure and booby traps that will hopefully wrap this series up more positively.
Stuart: It had been so long since I’d seen most of the Indy movies, I really was looking forward to re-experiencing it through adult eyes.
Arnie: I haven’t seen Crystal Skull since theaters–and never wanted to again!
Jakob: I do have a story for the podcast about meeting someone who had only seen Crystal Skull, which brought a unique perspective.
Stuart: [Arnie and Jakob] say they could quote every line from Raiders. I only remembered it in fragments… how did that monkey eating the poison date tie in with melting Nazis? I was excited to have a loved series on the docket.
Yul Brenner as the Gunslinger in “Westworld.”
The inclusion of Michael Crichton’s “Westworld” and “Futureworld” for Gold Level donors comes as HBO prepares to debut a JJ Abrams and Jonah Nolan series adaptation of the films, which tell the now-familiar story of chaos at a futuristic theme park. “Westworld” was released in 1973, while the sequel arrived three years later. The concept was also adapted into a 1980 television series, “Beyond Westworld.”
Stuart: They seemed like the right films to add to the four Jurassic Park’s to make it Gold Level.
Arnie: That was Stuart’s esoteric pick, but it makes sense as a tie-in to Jurassic Park. Both are theme parks run amok, brought to us by Michael Crichton.
Stuart: I don’t think I ever read a review of Jurassic Park in 1993 that didn’t mention Crichton’s Westworld as an influence.
Jakob: They’re not films I’m familiar with, but that’s one of the joys of Now Playing — getting the opportunity to watch movies that haven’t hit your radar.
The park is open.
Although “Jurassic Park” remains the most successful adaptation of a Crichton novel, there have been more than one dozen films based off his work. Crichton has also received writing credits for numerous screenplays, including 1996’s “Twister.” However, Now Playing’s Spring Donation Series may be the only time films based on his novels are reviewed on the show.
Arnie: Given that we’re doing Jurassic Park as a donation series I think we can rule out a full Crichton retrospective. It would be unfair to put “All Crichton other than Jurassic” on the main feed while Jurassic Park is locked in the vault. I don’t see Rising Sun and The 13th Warrior as big draws for a future donation drive.
Stuart: I agree with Arnie that it’s no longer a possibility as a franchise. But who’s to say a one-off of Twister or Congo might not appear when you least expect it.
Jakob: The only way I’m going to watch Twister again is if we do a “really stupid natural disaster movies” retrospective, with the likes of Volcano, Dante’s Peak, The Day After Tomorrow, and 2012. And I don’t see that happening. So, no, I’m not interested.
The first episode in the Spring 2015 pledge drive — “Raiders of the Lost Ark” — will be released to donors on April 17. Details can be found on the Now Playing Podcast website.
40 Year-Old-Critic: Raiders of the Lost Ark (1981)
In The 40-Year-Old Critic, Venganza Media creator and host Arnie Carvalho recalls a memorable film for each year of his life. This series appears daily on the Venganza Media Gazette.
I wrote at length about the summer blockbuster in the 1975 installment of this retrospective series discussing Jaws. I recalled how it seemed each year had one movie that everyone was talking about. Hollywood now gives its tentpole pictures one or two weeks to make an impact, but when I was a kid the biggest films ran for months and would remain in the public conversation for years.
In 1981 I learned what it was like to be on the outside of that conversation.
I spent a lot of time at the movies as a kid. I remember a summer program in our town that screened older, child-friendly films each week for just $1 — a small price for my mother to pay to have me sit quietly for two hours. My mother, my godmother, and my sister would coordinate schedules to take me to see those summer films and, being the completist that I am, I refused to miss a single installment.
Not content with the preprogrammed children’s fare, I started to make my own decisions about which new releases I would see. I remember begging my mother to take me to Clash of the Titans, The Great Muppet Caper, Superman II, and The Fox and the Hound. But one film that totally escaped my attention was Raiders of the Lost Ark.
By the summer of ‘81 Steven Spielberg was already a name-brand director with blockbusters Jaws and Close Encounters of the Third Kind under his belt. He’d survived a rare misstep with the ill-conceived 1979 comedy 1941 and returned to form two years later with the first installment in the Indiana Jones franchise.
This film carried more than just Spielberg’s golden name. The poster boasted “From the creators of Jaws and Star Wars.” It was Spielberg’s collaboration with the man who had made the most successful film of all time… George Lucas.
People ran to catch Indiana Jones in Raiders.
With those names on the poster it is no shock that moviegoers turned out in droves to see the film, with no misgivings about its period setting — a far cry from the filmmakers’ recent science-fiction fare. Plus Raiders wisely featured a strong supernatural bent for those who appreciated the fantastical elements of Close Encounters and Star Wars.
Raiders of the Lost Ark went on to become the top-grossing film of 1981. It was a cultural smash, a critical darling, and nominated for several Academy Awards.
I totally missed it.
The first Indiana Jones movie opened in our town on June 12 — the same day as Clash of the Titans. I didn’t just choose to see Greek gods over Indiana Jones, I have no memory of knowing Raiders of the Lost Ark was out there. Soon after, Superman II opened, and that was the movie I’d been waiting to see.
Raiders was totally lost on me.
When school resumed that fall it didn’t take long for me to realize I’d missed something huge. Now a second-grader, I returned to classrooms ready to reunite with schoolyard friends and talk about Clash of the Titans and Superman II, but the only movie on their minds starred some guy with a whip. Playground chums regaled me with tales of the swordsman who performed deft moves only to be quickly shot dead, and that magical box that made Nazi faces melt. I had nothing to add to these conversations, I could only nod and say it sounded fun.
This feeling of isolation continued for years, and I felt Raiders of the Lost Ark would taunt me forever. For Christmas in 1982 my sister Susan bought me the Raiders of the Lost Ark Atari 2600 game. She was now a college student and assumed I’d seen the film and loved it. I played that game for days, trying to use it as a surrogate for the movies I’d missed. I created a story in my mind featuring snakes and whips and anchs and black markets.
Finally, the next year, my long nightmare ended.
In late 1982 my family bought our first VCR and, a few months later, we rented Raiders of the Lost Ark on VHS. Of course, I loved the film (and was surprisingly happy to see how little it resembled its Atari counterpart). It was exciting and funny, and also a bit scary. I had nightmares for months about those melting faces. Though I would rewatch Raiders regularly on video, for the first year or more I would cover my own eyes during the bloody climax.
Then, in 1984, when Indiana Jones and the Temple of Doom was released, I ensured I didn’t make the same mistake — I saw the sequel twice on opening weekend and read the novelization.
I still watch Raiders of the Lost Ark regularly to this day (though I now laugh at the effects that made me wince as a child). Just this past summer I went on a fishing trip with friends and we gathered around the cabin’s small television to watch Harrison Ford in his second-best role. We applauded its genius, debated the importance of Indy in the movie’s plot, and lamented the franchise’s abysmal fourth installment.
Raiders of the Lost Ark was the best film of 1981, but it also taught me the importance of cinema as part of a cultural conversation. Shared experience creates a community, and in the 1980s part of our nationwide identity was defined by blockbuster films. National defense programs were named after sci-fi flicks, presidential candidates quoted hit movies, and playground friendships were made and broken by what you saw over summer vacation.
I do feel that today some of the magic is lost when there is a new “must see” movie every weekend. It waters down the experience. Now there are more fractured groups of fans, and rarely is there a film like Titanic, Star Wars, E.T., or Raiders of the Lost Ark that can transcend age, race, and gender and become a cultural phenomenon.
At 6 years old I learned how important that was, thanks to Raiders, and it’s a belief I hold today.
Next — 1982!
Arnie is a movie critic for Now Playing Podcast, a book reviewer for the Books & Nachos podcast, and co-host of the collecting podcasts Star Wars Action News and Marvelicious Toys. You can follow him on Twitter @thearniec
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