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Blade: The Series – Season 1, Episode 3: Descent

Original Air Date: July 12, 2006
Director: Jon Fawcett

Blade Ep 3 - Descent

 

Warning: the following review contains spoilers for this and the previous episodes of Blade: The Series.  You can watch this episode free at thewb.com.

Before I get into this episode’s plot and my thoughts on the continuing series, I want to take a moment to comment on the cinematography of this series.  During the director’s and producer’s commentary for Blade’s pilot episode, they kept discussing the digital high def cameras used for filming the series and I didn’t see the big deal.  They talked about how they could work with existing light, and I didn’t care; I thought they were just talking about cost savings when they should have been focused on character and story.  But in this episode I saw some really great looking use of light, color, and grain (yes, grain in a digital recorder).  I loved the “grim and gritty” look of this series, and the selective use of light really worked for it.  Perhaps it took a handful of episodes for the lighting and camera teams to really understand the power of this camera, perhaps this episode just had a more artistic cinematographer, but in this episode I thought it was one of the better shot things I’d seen lately.  For TV it’s astounding, and even for a film it would have been very well done.

That plus the par-for-television effects give this series some very good production values, which is something I hadn’t commented on before as only in this episode was I really impressed by the series’ technical aspects.

That said, on to today’s episode:  Descent.

Chase after feeding

Chase is quite fetching in her disguise for luring in recovering addicts. But is she okay to drive if she's always sucking on drunks?

Krista Starr (Jill Wagner) is recovering from her wound suffered in the last episode, which is healing slower than usual due to her refusal to eat human blood.  Chase (Jessica Gower) takes her out for a night on the prowl, feeding on some hapless AA members.

Krista is also tasked by Blade (Kirk “Sticky Fingaz” Jones) to get a vial of Aurora, the vaccine that makes vampires immune to damage by the usual methods, though it is under lock and key and Krista tries several times unsuccessfully to obtain a sample.

Finally, Krista is tasked by Marcus (Neil Jackson in his only appearance this episode) to deliver a package to a wedding. We are never shown the package’s contents, obviously setting up a larger plot later.  The recipient, a waitress named Vanessa (Sonja Bennett), tells Krista to “thank the doctor” for her.

Blade, meanwhile, has finally tracked down last episode’s target, the ash dealer Cain (Caprica‘s Ryan Kennedy) and grills him for information.  Cain reveals he was the familiar of a vampire named Sands who had been taken hostage and undergone some involuntary experimentation, possibly related to Aurora.

Collins and the ashed tooth

I had never considered what happens to an amputated piece of a vampire when exposed to sunlight, but I suppose it makes sense that it turns to ash, even if it is a tooth.

Once they’ve captured the vampire, Blade, Sands, and Blade’s weaponsmith Shen (Nelson Lee) return to the secret lab where Sands was captive.  There they find several other vampires that were with Shen still trapped in the lab.  While dusting the vamps, Blade finds a scalpel left in one vampire’s body, and Shen is able to track that scalpel to the office of a local doctor.  Blade barges in, expecting a major fight, but finds himself in the office of a gynecologist with a waiting room full of pregnant women.

Finally this episode also focuses on the exploits of crooked-cop-cum-vampire Boone (Bill Mondy), who’s murders in Kansas have garnered the attention of FBI Agent Ray Collins (Larry Poindexter).  Collins discovers Boone’s yanked fang at the murder of a police officer, and matches the fang to a hole in the bag of the burned-out truck from which Boone escaped at the start of the previous episode.  Prints from the truck track to Det. Boone, and Collins watches as the fang dissolves to ash in the sunlight.

In addition to moving the plot along, this episode starts to explore our characters as well.  Blade’s Machiavellian moral ambiguity is explored as Blade endorses the exploits of ash dealer Cain, seeing Cain’s selling of ash (and, thus, creating amputee junkies) as the lesser of two evils when put up against a race of beings that feed on humans.  But despite approving of Cain’s methods, Blade steals some of Cain’s drug money to give to Reverend Carlyle (William MacDonald) who is not a true Reverend but gave himself the title after feeling a calling to help ash addicts.  Carlyle and Blade’s clash over Blade allowing Cain to go free does show that Blade’s methods, while effective, leave many humans to suffer and die in the crossfire of his war on vampires.

Krista examines her wound

The wound Krista sustained last episode is quickly explained away and forgotten.

While I did enjoy the focus on Blade and his methods, this episode was a mixture of character-piece and filler.  Truthfully, despite my paragraphs above, when the episode ended it felt as if nothing had really happened. Such is the case with television series; sometimes entire episodes are used to get the characters where they need to be for the next episode. Additionally, sometimes budget is such that episodes need to focus more on characters and less on effects and fights.  The result is an episode such as this one, which simply treads water, slightly escalating the situation while really not changing anything.

Were it not for the introduction of Collins, who I’m sure will be a major player later, and perhaps Sands, who lived and thus may return, I would call this episode “useless”.  As it is, while Descent helped to deepen the world Blade, it could barely hold my interest.

Again, it’s virtually impossible to judge a serialized TV series on an episode-by-episode basis.  If the series continues to deliver episodes like this one then it is slipping deep into Not Recommend territory as it simply doesn’t have characters compelling enough to make up for the lack of action; put another way, the series is dull.  But that said, if there is payoff later, it was nice to get to know our main characters a bit better, so I remain optimistic as I enter into Episode 4.

And perhaps best, I still am curious where this is all going and how it will all pay off.  I am excited to watch episode 4, though I’ve not really enjoyed episodes 2 or 3 very much.

You can hear Arnie, Jakob, and Stuart review all the Blade films on the Now Playing podcast!

Read Arnie’s other Blade TV Series reviews:

Introduction
1 Pilot
2 Death Goes On
3 Descent
4 Bloodlines
5 The Evil Within
6 Delivery
7 Sacrifice
8 Turn of the Screw
9 Angels and Demons
10 Hunters
11 Monsters
12 Conclave
Conclusion

 

September 2, 2011 Posted by | Blade - The TV Series, Comic Books, Reviews, Television | , , , | 8 Comments

Blade: The Series – Season 1, Episode 2: Death Goes On

Blade S1E2

Jones and Wagner compete this episode to see who can give the most one-note performance.

Original Air Date: July 5, 2006
Director: David Simkins

 

Warning: the following review contains spoilers for this and the previous episodes of Blade: The Series.  You can watch this episode free at thewb.com.

The second episode of the Blade series continues every storyline from the pilot episode, while also introducing many new characters and twists to deepen the plot.

Crooked cop-cum-vampire Det. Boone (Bill Mondy) escapes his shrink-wrapped cage and dusts his fellow captives, on his way back to Detroit to get revenge on high-ranking House of Chthon Vampire Marcus Van Sciver (Neil Jackson), setting up what is sure to be a major showdown later in the series.

Meanwhile, Krista Starr (Jill Wagner) continues to deal with her transformation into a vampire, secretly using Blade’s serum to unsuccessfully quell her vampiric thirst, and her hunger causes her to even dream of feeding on her own mother.  She is both Marcus’ captive and object of desire, as her charismatic maker continues to try to seduce Krista to the dark side.  But Krista continues to play both sides by acting as Blade’s spy, secretly digging deeper into Marcus’ operations and learning of Aurora – the vaccine that makes a vampire impervious to garlic and sunlight.

Vampire Krista

Is it still an Elektra complex if Krista wants to eat her mother?

The Aurora project is in upheaval due to Blade’s interference last episode.  We are introduced to Winston Haupt (Adrian Hough), a leading member of the House of Chthon, when he arrives to ensure Marcus pulls up roots and moves the Aurora experiment from Detroit to the west coast.

As for our titular hero (played by Kirk “Sticky Fingaz” Jones), he is perplexed by his fight with Fritz, the seemingly invulnerable vampire he fought in the pilot.  To investigate how Fritz could be unaffected by garlic and silver, Blade starts hunting down a group of ash-addicts who snort vampire ash to get high.  His investigation leads to an ash dealer named Cain.

Marcus is also seeking Cain.  Cain’s methods of harvesting his product include trapping and murdering vampires, including Winston.  As Marcus looks into Winston’s murder, the trail leads straight to the ash lord.

The climax of the episode comes at Cain’s ash lab–Marcus’ other favorite female vampire Chase (Jessica Gower) is leading a group of vampires, including war-trained Krista, to take out Cain, while Blade has been following one of Caine’s addicts to the lab.  But Cain is one step ahead of Blade, and detonates a bomb in his evacuated lab that kills all of Marcus’ vampire troops except Krista and Chase.

But as Blade is about to finish Chase off, Fritz ignores his orders to stay hidden and crashes a car into the Ash lab, itching for a rematch against the daywalker.  During the fight, Krista’s loyalties are tested.  Blade needs to capture Fritz to study Aurora, but Chase orders her to kill Fritz to keep Aurora’s secrets.  Krista chooses her cover over the information and beheads Fritz, falling on a stake and severely injuring herself in the process.Krista Ashes Fritz

The episode moves along quickly and the rematch between Blade and Fritz is welcome, though the fighting is still quick-cut and poorly choreographed.  It also falls prey to WWE conventions as, for no reason I can fathom, there is a large wire-mesh cage in Cain’s lab, allowing Blade and Fritz to literally have a cage match.

I’m starting to accept Sticky Fingaz more as Blade and I’m actually coming to like Marcus as the charismatic vampire leader.  But Krista’s one-note character, matched by an equally one-note actress, grates on me and makes me have no sympathy for the she-devil.  Several times I wished Chase would just give into her jealousy and stake Krista.

I do like the character of Boone and welcome his return to Detroit.  The actor’s energy really is a great wild card in the series, and his inventive self-mutilation by pulling out his own fang to cut through his body bag and free himself was very well thought out.

And the overall series plot is being revealed as knotted and intricate, and it has my full interest, despite seeming to be a retread of the reaper story in concept.  The House of Chthon is appearing to me like a mob family, and I’m enjoying the internal power struggles as the layers are peeled back for the audience.

The dialogue is also improving, as some lines this episode got a genuine laugh from me, such as when Winston goes to see Mina, a woman who sells vampires to humans as food.  Mina offers up a blonde from Illinois and we get this exchange:

Detective Boone

Boone is the most interesting character in this series, so it's a shame he only bookends this episode.

Winston: Carpet matches drapes?

Mina: Hardwood floor.

Winston: (Sarcastically) Kids.

But while the dialogue and overall story seem strong, the pacing is off.  We are being introduced to characters that seem important, such as Mina and Wiston, just to have them die 10 minutes later.  The writers do a poor job of telling us which characters are important and which are merely storytelling devices, and that is a problem.

Also, with the exception of the end fight, the episode is lacking in action.  Instead of the exciting and entertaining wire-fu we got in the Blade films, Blade the TV series is a soap opera for the testosterone set.

While I remain interested, I am by no means enthralled.  Two episodes in, the series is a weak recommend for Blade fans, a not recommend for everyone else.

You can hear Arnie, Jakob, and Stuart review all the Blade films on the Now Playing podcast!

Read Arnie’s other Blade TV Series reviews:

Introduction
1 Pilot
2 Death Goes On
3 Descent
4 Bloodlines
5 The Evil Within
6 Delivery
7 Sacrifice
8 Turn of the Screw
9 Angels and Demons
10 Hunters
11 Monsters
12 Conclave
Conclusion

 

September 2, 2011 Posted by | Blade - The TV Series, Comic Books, Reviews, Television | , , , | 8 Comments